Vegas Valley Book Fest Promo Card

Attention humans: I've heard reports that some of you are experiencing problems with the download promo cards I was slinging around at Vegas Valley Book Festival.

If so, let me know! I apologize for any inconvenience too.

I've notified my publisher, Samhain Publishing, to see if somewhere on the webstore a checkbox didn't get checked or something. That sort of stuff happens.

Stay tuned.

The mason

Vegas Valley Book Festival 2014

If you like book things and live in Las Vegas, then you ought to know about the annual Vegas Valley Book Festival. http://vegasvalleybookfestival.org/

Honestly, a book festival in Las Vegas. Didn't you know? We're cultured bro.

There is free food, so writers come out of the woodwork for it. And have I mentioned there are lots of books?

This year I’ll be on the “Las Vegas Writes” panel with a few other local authors such as fellow Illiterati-member Mercedes M. Yardley, Scott Dickensheets, David Armstrong, Heidi Kyser, Joseph Langdon, Launce Rake, Moniro Ravanipour, Geoff Schumacher, and T.R. Witcher.

The panel is 11 AM on Saturday Oct 18^th (in the Auditorium)

Come by and heckle!

Here’s the deets:

Vegas Valley Book Festival

Historic 5th Street School

401 S. 4th Street, Las Vegas NV 89101

Lost and Found in Las Vegas Anthology

More publication news!

My short story Strip Away recently came out in the anthology "Lost and Found in Las Vegas: What the City Hides and What It Reveals" Edited by Scott Dickensheets, Huntington Press (August 28, 2014)

It's a Twilight Zoney twisty tale of creepiness.

Jacob has a problem. He's late for work slinging cards at one of the ritzy casinos on Las Vegas Strip. But that's not really his problem. Instead it's that no matter where he turns and no matter which exit he takes he can't seem to find Las Vegas. It's as if the whole city no longer exists on this plane.
Strip Away.

All the authors in this anthology will be having some panelist fun this year at the Vegas Valley Book Festival (more on that later) so make sure you're planning on attending.

The super fun thing about this anthology is that I share the table of contents with my Illiterati pal Mercedes M. Yardley! Fun times. The writing group that stays together gets published together.

We are very serious writers (photo credit Brent Holmes)

Acceptance and Contest Win: Dark Fuse & Vegas Valley Book Fest 2013

Well, it's been a productive past few months.

While I've been neck deep in the heavy rewrites and revisions of my current WIP (work in progress for all you not yet in the know), I've also been throwing my proverbial hat into the ring by submitting short stories all over the place.

1) My short story "The Resurrectionist" won 2nd place in the 2013 Vegas Valley Book Festival Flash Fiction contest. (I'll be reading my winning entry at the VVBF on Saturday Nov 2nd at noon in the small courtyard of the old 5th street schoolhouse in downtown Las Vegas)

2) My short story "Rainmaker" was just picked up by Dark Fuse for their Horror d'oeuvres flash fiction outlet. Fun stuff. Rainmaker was my entry in the Killercon 2013 Creative Fiction contest, judged by the peerless Ellen Datlow and Christopher Rice (a rising star to watch).

Both stories were written on the same day (within a few hours of one another) in two timed contests. The first contest allowed 90 minutes to write, edit and submit, the second only 20 minutes.

Most of you know that I have a super-duper writers group. The Illiterati.

Watch out, better hide your kids, hide your wife.

One of the best things about having a group in this solitary life of a writer is that you roll together. Any triumph for one is a triumph for all. Life is better when you travel as a pack.

In September the Illiterati as a group entered two short story contests in a row: The Killercon 2013 Creative Fiction contest and the 2013 Vegas Valley Book Festival Flash Fiction contest.

We won both.
(Congrats to Matt Czarnowski for his Illiterati-representing Killercon win!)

I credit as much to our own (growing) writing ability as I do to the sense of friendly competition of "outwriting" one another. I admire and enjoy the unique writing voice and style of each member of my group, and to go head-to-head with them is both an honor and a real challenge.

What are you waiting for? Find some like-minded writers and start yourself a writers group. You won't know what you're doing at first, but you'll learn.

Short Story Up: The Flesh Trader

Hey peoples of the interwebz.

My award winning short story "The Flesh Trader" is in this week's Las Vegas Citylife Magazine.

(Page 13, wonderfully)

You can read the e-version here: http://lasvegascitylife.com/e-edition.php?i=2012/11/01#?page=13

Booya!

Super Duper Flash Writing Contest Winning Tips

I’m pretty stoked. Last month I entered 2 flash fiction contests and won both of them. In fact, I've won 3 out of the 5 flash fiction contests I've ever entered (the KillerCon Creative Fiction Contest in 2012, and the Vegas Valley Book Fest Flash Fiction Contest in 2010 and 2012).

(self aggrandizement alert!)

If you don’t know, flash fiction is a short short story, usually under 1000 words in length, sometimes under 500. They are stories that get in, do their story magic, and get out. They even have micro fiction which is roughly around tweet size.

 

(my own example):

 

She watched the dinner guests leave. They never asked where Greg was and she of course didn’t show them the blood and mess in the kitchen.

So naturally Flash Fiction Contests are when a group of caffeine-hazed writers are given a prompt and a short amount of time (20 minutes at KillerCon, 90 minutes at Vegas Valley Book Fest). When the buzzer goes off, you stop writing, just like a test, and then you are at the mercy of the judges.

But let’s get back to me winning. (I need to start that #arrogant twitter hashtag Mercedes[[[]]] and I joke about…)

I thought to myself, “Self,” I says, “You seem to be awesome at these things. Do you have any super-duper tips for winning?”

Well, nothing super-duper. In truth, I’d say 60% of winning at flash fiction is how far you can take your imagination and writing chops. And 20% is being able to perform under deadline. Perform coherently, I might add.

Almost all of that falls under the same writing advice you can find anywhere. (No really, most other people give way more useful writing advice than me, because I don’t really know how I do it…)

But that last little 10% leaves room for a few handy tips and tricks. Nothing fancy, mind you, but this is how I do it and maybe it will work for you. (Or at least free you up to just charge blindly ahead!)

Tip #1: Write the most compelling first line you can think of, right off the top of your head. Then come up with the story behind it.

Don’t construct an elaborate plot. Don’t try to focus on the theme, because by simply hearing it and stewing on it while waiting for someone to shout “Go” the theme is already part of your consciousness.

Make that first line sing. Don't worry about where the story will go. Just write something that can't be ignored.

Mine was "The hardest part was not killing the kids, but cutting them up to fit in the furnace."

Where it came from, I don't know, but it had to be answered. I had to find out what happened next, thus I had to write it.

Tip #2: Don’t cheat and show up at the contest with a full plot or story you already wrote in your head, or worse, already wrote which you will try to recreate.

Don't do this.

It not only smells like cheating but it can backfire on you. Particularly with themes and/or key words or phrases you must use in the story. The elaborate western romance you cooked up will get hosed when the key phrase they give you is "The spaceship docked on the dark side of the moon." Hosed!

(Unless you’re Joss Whedon, in which case, carry on.)

Speaking of key words and phrases, "How do you deal with any key words, or phrases they make you put into the story?" (you ask) “How do you place a word like ‘zither’ and ‘mongoose’ in a space-cowboy drama?” (you ask so many questions)

Tip #3: Love words.

 

Love words,  love how words sound, love language so deeply that you don’t just cram in obtrusive words like ‘chartreuse’ with a wink at the audience. Actually use them.

I read the dictionary for fun. I have this giant unabridged one that I like to turn to random pages (it also makes a great kid booster seat!) Words are your fundamental tools, even the awkward words.

What if you don’t know the meaning of the word? Ask. You might feel like a goober asking what a zither is, but you'll feel like a Hefty-bag of shame when you write it into your steamy romance mistakenly thinking it means a clothes fastening device.

Tip #4 Economy of words.

The opposite of this blog post.

 

I am very grateful to the estimable judges of the Vegas Valley Book Festival, and the KillerCon Creative Fiction Contest: Jack Ketchum and Grammar Girl Mignon Fogarty, Don D'Auria from Samhain Publishing, and Roy Robbins from Bad Moon Books.

I won... booze?

Mercedes Yardley BEAUTIFUL SORROWS Blog Tour

Today I have the pleasure of interviewing (once again) my dear friend and member of my crazy writer's group: Mercedes M. Yardley.

Knives and other weapons not shown

First of all, let me say a hearty congratulations to you! Your first collection, Beautiful Sorrows, just came out from Shock Totem Publications and I have to say that the title describes the contents perfectly.

Which leads me to my first question...


Mercedes, you’ve really perfected the art of beautiful sorrow, or as you once put it to me “whimsical horror”. How did you develop your unique “ethereal, yet horrific” voice?

It was a lot of trial and error. You’ve read some of my old pieces, and you can see tiny slivers of this voice emerging, but it really wasn’t until I wrote the novel my agent is currently shopping that I felt it come out in full force.  My writing was always a touch dark, but also fairly pretty.  That’s how I’d explain it.  Prettily horrific.

And you’ve always written?
Always.

When did you first have the inkling that other people might want to read your work?
I wrote a lot as a kid, and my third grade teacher asked me to read some of my stories aloud to the class.  It was scary, but cool, and it just seemed like the thing to do, you know?  Write something and share it. Then I was in a couple of great magazines and anthologies, and I figured that people were buying them because of the other authors in there. I was just along for the ride, and loving every minute of it.  But now that Beautiful Sorrows has come out, I’m just floored that people are buying it. I mean, it’s my book, a book of just me, and people are still choosing to spend their money on it.  It’s extremely humbling, but so delightful! I’m so excited.

What was the tipping point for you to stop just “dabbling” as a writer and start submitting things for publication?

I was quite literally going mad. We had just moved to Las Vegas, my husband was gone all of the time with a new job, and I had a baby boy at home.  It was too hot to go outside and we were trapped inside of the apartment. I thought, “This isn’t the life that I want for myself!”  I was so lonely and so desperate for a creative outlet.  I joined up with the local NaNoWriMo group, wrote my first novel, and loved it. It was daunting to start submitting short stories and poems to magazines, but that was my next step.  I always wanted to be a writer, but I lacked the motivation and confidence.  I was intimidated.  But I grit my teeth and started forward.

You’re in a writers’ group with me. Admit it.

The Illiterati. We are a very serious writers group.

No comment, lest I incriminate myself.

Our writer’s group is pretty hardcore, but I can’t tell you how much I’ve grown as a writer because of being in a group with you, Mercedes. I think we’re awesome! Have all of your writers’ group experiences been as awesome?

The Illiterati is unique because we like each other, in and outside of the group as well.  We’re all creative, we have a great work ethic, and especially in the case of you and I, we spur each other on with friendly but gritty competition.

That reminds me. Congratulations on beating my measly 4th place in the Las Vegas Valley Flash Fiction contest! I owe you a video extolling your virtues.

That’s right, I won 1st place! I’m looking forward to that video. Bwahaha! And thank you for spurring me to write with excellence. I ascribe my win to our Illiterati power. But what works for us might not work for everyone. Would you recommend finding a writers’ group to others, and do you have any tips for finding the right one?

I think everybody needs some type of group. Even if it’s a loose collection of betas who only read your stuff once.  In our case, we’re an uber-intensive, three hours a week writer’s group where we tear each other’s work to shreds. But that’s because we respect each other and we’ve earned that respect.

I’d say that if you don’t jive with a person, you’re not going to respect what they have to say about your work. And if you don’t value their opinion, they shouldn’t be looking at your work anyway.  It’s just a waste of everybody’s time.  And time is such a precious commodity.

Ok, random question: I hear you had something to do with the sinking of the Titanic.

Let’s just say that [James Cameron’s TITANIC] movie portrayal of [First Officer] William McMaster Murdoch as a money-grubbing murderer has been contested by friends and family.  Apparently somebody involved with the movie ending up paying the family for defamation of character, or whatnot.

Let me also add that Murdock Luck is a real thing.  You definitely don’t want to stand next to me in a lightning storm.

What energizes you as a writer?

Goals.  Making strides. The success of another writer that I enjoy. Illiterati meetings.  I love the rush of moving forward, even when it’s difficult. But then, it seems that it’s always difficult.  One or another of us is always slogging through the literary mud.  It helps to hold hands and run together.

What would you like to see more or less of in fiction?

I’m done with zombies. Totally done. I’d like to see more ghost stories, but that’s because I love them so much.  Ooh, and more voodoo stories!  You can’t have enough ghost and voodoo stories.

Thank you Mercedes for stopping by my little corner of the universe. Any parting shots?

You may have won this contest round, but I’ll get you next time, Gadget! Can’t wait to see you on Tuesday to shoot the literary breeze.  I’m sure we’ll go head to head on something, as usual.

Sounds like a challenge! Accepted. :)

Make sure you pick up a copy of BEAUTIFUL SORROWS from Shock Totem or Amazon.com